careers, clients, creative, insight

How I Moved From Creative To Client-Side, With Google…#truestory!

what-i-do-at-google

“Good! Good!! I can feel your interest!!!”

In the nearly three years since I joined Google India, I’ve lost track of the number of times people have asked me what I do.

(And no, the designation doesn’t seem to help.)

I’ve also been asked, several times, about what it’s like for a creative director to move to the client side in a brand role.

And that’s why I thought it was time for a blog post to answer these questions and satisfy the world’s curiosity. And, as is my wont, to offer $0.02 worth of gyaan that may help you if you’re contemplating a similar decision.

(At this point, I suggest you step out for a bio-break, or a cup of coffee. This is going to be a #longread.)

“How did you get into Google?”

My journey to this point began more than two years before I actually joined Google. When I was working as Creative Head at Jack In The Box Worldwide, back in 2011.

I’ve been (and remain) a longtime Google and Android fan. I was among those who wept when Google Reader was shuttered; among those who found a reason to use Google Wave and other awesome Google services; and a very vocal advocate of Android.

I also followed Google’s creative work closely. Especially the awesome interactive experiences that the folks at Google Creative Lab built – cultural experiences built atop products, which made me fall in love with the brand all over again.

One night in bed, faffing on my laptop, I started chatting with my wife about how Google would be the one client I would kill to join. And about how perhaps they could use an agency Creative Director to help build great integrated marketing campaigns for the India market. On a lark, we navigated over to google.com/jobs – and was blown away to find that there was an opening for a similar role in Singapore.

With complete excitement, I swiftly polished up my CV and uploaded it to the job listing, said a prayer and called it a night.

And completely forgot about it for the next two years.

Cut to November 2013. I’m prowling the halls of a Delhi hospital, nursing my father-in-law. And an email from a Google recruiter pops up in my inbox. It seemed they had a role open in India, and my CV had come up in their database.

My first phone call, purely for screening, happened the next day from the hospital. I was then connected with a recruiter for a more serious conversation – the ball was rolling.

Nine interviews later – nine gruelling, thought-provoking and absolutely amazing conversations later – I bid adieu to home, Bombay. And the wife and I winged our way to Gurgaon, where we’ve been ever since.

“So what exactly do you do there?”

The role I was hired to play was a new one altogether for Google. So, I don’t hesitate to admit that it took me – and my colleagues – quite some time to figure out how to make it work. I walked in expecting to work like an in-house Creative Director. With the kind of responsibilities that an agency Creative Director bears. But I was mistaken. My designation – Brand Lead – pushes the in-house Creative Director envelope quite a bit further. And goes beyond a traditional brand marketing role, too.

I head up Brand & Creative Marketing for Google India, and am hence responsible for any and all creative work for Google India. This includes, primarily, our marketing campaigns. It’s my job to work with Product Marketing Managers to tell great stories for our products and initiatives, across every medium possible. TV ads, YouTube videos, digital, social, traditional media…you name it.

Apart from being as creatively strong as possible, it’s on me to make sure that the work we do is “on-brand”. That it reflects Google’s core values; that it looks, feels and sounds Google; and that it accurately reflects our brand mission of helping make information universally accessible and useful.

I lead the thinking on our social media strategy. I lead our creative agency relationships, identifying great partners to work with and managing them end-to-end. And, lastly, I look after a bunch of special projects that fall under Brand Marketing.

A lot of this sounds like a regular Creative Director job, I know. But here’s the difference:

I haven’t been hired to write the scripts, or craft the copy. That’s the job of our agencies. My job, as I see it, is to set the parameters, create the sandbox, in which our agencies can play. To be a bridge between us and them, thus guiding and shaping the work in a fluid, fast-moving environment. And, if ever needed, to put on my copywriter hat and work side-by-side with them.

There are several aspects to this. One: I work very closely on the brief. Making sure it’s clear, contextual, single-minded and inspiring. Trying to foresee the kind of work it will lead to. Two: I bring our different agencies (brand, digital, social) together to build a campaign that’s not just 360°, but truly integrated. Three: I work to make sure our brand and products are being depicted correctly. Four: At the risk of sounding immodest, I try to keep the benchmark high, pushing our agencies to consistently deliver work that’s truly worthy of Google.

The big difference that a creative person can make inside a client org is to bring creative agency knowledge into a client institution. It means that, as a team, we now have a better understanding of how a particular brief or feedback will impact the end product, with lesser room for miscommunication and misunderstanding. This leads us to sharpen our briefs, consolidate and hone our feedback, leading to better work, with fewer iterations.

I’d like to think I’ve also helped ensure that we’ve avoided the “agency v/s client” mindset that occasionally creeps into client minds, by being a bridge to and supporter of our agencies.

“Sounds great. What does it take to succeed at the role?”

Every person who takes on this kind of role is going to tackle it differently. I don’t believe one size fits all, but this is how I tried to make it work for me.

Your first priority should be to understand the organisation. Ad agency structures are pretty simple, and one always knows who one’s stakeholders are. It’s a lot more complicated at a client, especially one with the scale of Google.

Leadership isn’t about dictating a way forward; it’s about taking everyone forward together. Be a team player. Try to take your peers along. Most marketing managers don’t have the inside knowledge on how agencies and advertising work that you do. Few have been to a shoot. Few have built large-scale campaigns. Make them your friends and allies. Take the time to explain your point of view. Consult them for input on the work you’re doing, and take feedback constructively, making sure everyone’s on the same page from the start. It isn’t always easy, but I’ve learned that it will save me time, money and heartache on every single project.

Great work depends humongously on the people doing it. One of the things I’m grateful for is having great partners to work with. They’re worth their weight in gold. The best agencies bring a great mix of humility and self-confidence to the relationship, are open to feedback, and willing to fight to see a good idea come to life. They learn from their mistakes, and are committed to helping you learn from yours. They’re keen for me and my team to learn and contribute more to the advertising process. And, most importantly, they’re not assholes.

The converse of this is that you need to really support your agencies. Be honest and transparent. Don’t shy away from glowing praise or constructive criticism. Stand up for them when I know they have a great idea, no matter what the opposition. Help them navigate the organisation. Don’t conduct business just over email and the phone. And pay them fairly – it’s the only way they’ll be able to give you the work that you want. 

Expect to stretch yourself in ways that you never have. On my first project, I handled everything, including deliveries to media. I negotiate with agencies, and draft their contracts. Not quite what an agency creative director is used to, but par for the course on the client-side.

The most important thing, though, is this: let go of your ego. Every creative person worth their salt has an ego, probably well-deserved. You have to realise that you’re surrounded by smart people who know their business better than you. And that you’re working with agencies (and creative icons) that collectively have far more wisdom than you alone. Be open-minded. Walk into office every day believing that there is someone else out there who can bring a new perspective and make your work better. It’ll help you get the best out of your agencies, and keep you from competing with them.

“Do you think I should also shift client-side?”

There isn’t a black-and-white answer to this. And there are several things to consider, notably the difference between working in an agency and on the client-side.

The first thing most people ask me is about the work-life balance. Truthfully, even though we work really hard, it’s been better for me than in my agency days. Even a 9-5 day is intense, simply because we go without the Counter-Strike breaks that agency folks take – and need to, frankly! That changes when we’re neck-deep in a launch, when my team and I work the same long hours as our agencies.

I’ve also been asked if I miss coming up with ideas and writing scripts. Well, I’m still coming up with ideas. All the time. It just happens before the brief, rather than after. I begin most projects with a mindmap full of cross-platform ideas, which we then build upon together. And I have occasionally put on my creative hat to help our agencies crack an idea or craft a script, so I do stay in touch with the trade I’ve learnt over the last 16 years.

The one slight doubt I had, which has disappeared over time, is this. Most agency creatives enjoy working on a variety of categories and brands, rather than just one. I did too. You learn a lot more than you would working on one category. And can implement successful ideas from one category for another too. You won’t get this freedom if you move client side. But, if you work for a company with as varied products and initiatives as Google, you do have a wide variety of things to work on.

Doubts and questions aside, I think you should just ask yourself one thing.

If there is a brand that you’re truly passionate about; whose purpose you truly believe in; whose products you’d publicly defend to the death; for whom you’ve secretly been coming up with portfolio ads; you may have found the client-side gig you’re looking for.

I know I’ve found mine.

As always, the views expressed here are personal and not intended to reflect those of my employer.

Standard
advertising, campaigns, communication, conversations, digital, how to, measurement, social media

Marketers, Rethink What Your #SocialMedia Should Be Doing

032f168a0d40f3509de09cf647dcaea2

Sound familiar?

For the longest time, marketers have had the wrong expectations from social media.

I’ve spent years, both on the agency side and the client side, hearing about the need to “educate”, “drive engagement”, “sell”, “build awareness”, “drive traffic” and other such goals. All devised with the intention of “moving the needle”.

To be fair, I’ve been part of the problem, pitching these expectations to clients. And at this point, I’m willing to go out a limb and suggest that I’ve been mistaken.

When marketers write an integrated communications brief, we do it with an end goal in mind:

  • Increase usage by x points over the course of the year
  • Sell y units by the end of the quarter
  • Convince z people to sign up for the programme
  • And so on.

The error we make is the assumption that (organic) social media can have an outsized impact on these ROI/revenue-driven goals the way that paid media does.

Why is this assumption an error?

As of 30 June 2016, India’s Internet-going audience was estimated at about 462M users. This is roughly 37% of India’s population.

Here are the reach figures for the top 3 social networks in India.

  1. Facebook: 161M (Source: Facebook Ads Manager)
  2. LinkedIn: 35M (Source: Statista.com)
  3. Twitter: 23.2M (Source: Statista.com)
  4. Instagram: 16M (Source: Napoleoncat.com)

It’s fair to assume that everyone with a LinkedIn, Twitter or Instagram profile is also on Facebook. So, the size of India’s social media population is 161M. This works out to 35% of India’s Internet population and 13% of India’s overall population.

We also know that, courtesy algorithms, current Facebook organic reach for pages with over 50,000 followers is at a mere 1%. Or even less for pages with high fan following. This article dated June 2016 pegs it at 2% and declining fast, towards zero. Facebook will also cut organic reach for posts that they deem too promotional.

So, here’s best case scenario for a brand with 18M fans on Facebook, assuming no further decline in reach:

The absolute maximum reach a single Facebook post can get is 1% of 18M = 0.18M = 0.000144% of India’s population. Assume that a brand creates 5 organic posts a day, each of which reaches a different audience (which we know is not true), you get to about 0.9M people a day. Or a mere 0.00072% of India’s population.

With figures like this, there is absolutely no way organic social media content can move the needle on ROI/revenue goals at scale for large brands.

So what should the end goal of social media be?

Let’s remind ourselves that social media is not a place people visit to shop. They’re here to kill time. To be distracted. To be entertained. To see what’s going on in the world at large. To share stuff that helps them build the image they want for themselves.

It’s true. People share things that help them appear interesting, knowledgeable, opinionated, concerned, trendy, cool, fashionable, successful, happy, and so on. Things that they subconsciously believe will raise their esteem in the eyes of their networks. Every analysis I’ve ever read points out different things that people share, and different reasons. The common thread uniting them all: the not-so-latent need for everyone to be seen in a very positive light by their peers.

This is where we marketers have a chance. Because, among all the other things people post to boost their image, are the products and services they use; the useful products and services they want to tell their networks about; and the brands they feel suit the image they want to create for themselves.

If we can create content that builds both brands – ours, and the user’s – we have found a recipe for social sharing, a recipe for starting positive conversations about our brand.

A recipe for brand love and advocacy.

Which, of course, has a knock-on effect on sales and revenue.

And that, grasshopper, is what we should orient our social media towards.

 

Standard
digital

Digital Marketing: Educating The Evangelists

digital-education

Digital marketing has come a long way since 2009, the year I was seduced by the Digital Side of the Force.

Awareness has increased dramatically. Agencies, publishers, media houses and ad networks are all working to educate advertisers about digital marketing.

And digital marketing is the first port of call for India’s burgeoning startup industry.

But for some reason, digital spends are yet to cross 10% of India’s total ad spends.

More and more, I’m beginning to believe that we need to swim upstream (thank you, Dave Trott) to solve this problem.

And, looking upstream, I feel the problem lies with the talent pool the digital marketing industry taps into: it’s too small, and not educated enough.

Every single one of us that moved into digital marketing from mainline learnt the same way — on our own, and on the job. Devouring all the content we could find; experimenting with design, UI and UX; testing and retesting content strategies on social media; and never believing we knew enough.

Because of the rapidly changing nature of technology, what we learnt last year is obsolete this year. Even today, I find it difficult to identify courses that could broaden my understanding of our industry.

The challenge is great…and so is the opportunity. Senior industry folk suggest that digital marketing education is a multi-hundred-million-dollar industry just waiting to happen.

It’s time educational institutions retool their curricula to focus on digital marketing. Working independently, as well as with industry stakeholders. They’re also going to need to constantly refresh their curricula to keep in tune with changing trends.

I know some institutes have begun to do this. Before I moved to Gurgaon, I used to visit the Northpoint Institute of Learning regularly for sessions on digital marketing. They’ve since added a Digital Marketing specialisation to their Post-Graduate Programme, and I’m proud to say that I consulted with them on planning that.

I’m yet to see institutes like SIMC and MICA adopt such programmes. And if any of their management is reading this, you should know that the lack of well-trained graduates is hurting us.

It’s not just new graduates that need the education. There’s a huge amount of room for executives in ad agencies, media agencies and marketing teams to learn more about digital marketing.

Because until these young professionals have the education, the industry won’t have the evangelists it needs.


The good folks at Udemy, one of the world’s most popular online education platforms, have an offer for readers of What Is An Insight?

The first 50 people to sign up for their Online Marketing Crash Course and use the coupon code WHATISANINSIGHT will get the entire course free.

The course itself seems pretty robust, covering everything from the basics to engagement, social media, content strategies, blogging and analytics. I think it’s also useful for small-business owners looking to get started with digital marketing. Sign up for the course here.

Standard
design, digital, india, industry, ux

What I’ve Learned About Digital Design In 2015

digital-design

won’t bore you with a deep introduction talking about how technology is shaping an emerging India. We’re all familiar with the startup explosion, the firestorm that is social media and the inexorable rise of digital marketing. We’ve all been part of the smartphone revolution and the emergence of the app economy. So I’m not going to bore you with details of those.

Instead, I’m going to try and articulate some key principles that could help you while designing for Indian audiences. Principles that could help shape the next website or app you design.

And, just because Star Wars — The Force Awakens is out in theatres, I’m going to do this in the key of R2.

Come back to the Light Side, father!

Functionality is a great thing. But more functionality means a heavier app. Not the greatest idea for a country where a majority of smartphones offer between 4 and 16GB of internal storage. And what’s the first casualty when users run out of space? Apps! The same holds true of heavy websites that invade and occupy users’ caches faster than Darth Vader could occupy Cloud City. So, put your code on a crash diet and build light.

Corollary: To do…or to do not? (There is no try!)

Sometimes, the best way to make sure users don’t uninstall your app when they run out of space is to…not build an app at all! Not every app can fulfill needs that are daily or monthly needs. A beautiful, feature-rich mobile website (like the one Flipkart just built with Google, #shamelessplug) will often serve you better.

Take their hyperdrive offline, Commander!

India’s mobile infrastructure is like a Stormtrooper’s aim — kinda spotty. In an environment of fluctuating mobile connectivity, it’s increasingly critical that some core aspects of your app work offline. And reconnect automatically upon detecting a connection.

Leave the feasting to the Sarlacc

You know what users hate more than smugglers who drop their shipments at the first sign of an Imperial cruiser? Apps and sites that feast on data. Just yesterday, I counted 4 rich ad units above the fold on a news site (which serves as many as 11 units on its desktop home page). Not to mention the horde of images that slow down loading time and swallow data packs whole. This in a country with some of the highest Internet costs. Enough said, I think.

Chewbacca had the right idea

Technology is changing rapidly. It’s critical you keep up. Keep tinkering. Optimise everything, from UI to page load times to CTAs. You never know when a small fix could help you win your own Battle of Endor.

Never underestimate the Ewok

Small can be beautiful. Only a fraction of your eventual users probably have the kind of screen real estate you do. And new formats — wearables, cars, to name two — are shrinking traditional screens even further. Design to deliver a beautiful experience across screen sizes.

Standard
content, entertainment, media

Is TV Broken?

Stray thoughts on the changing nature of entertainment in the post-digital age.

A simple truth: there’s some dissonance between the way people (want to) consume video content and the way TV serves it up.

And it can be summed up in 2 points:

  • Users want to decide what they want to watch. TV networks want to decide what their viewers will watch, and when they will watch it.
  • Users want to binge. To experience each story in its fullest form, without any artificial interruptions. TV channels want to get users coming back more often, and hence drop an episode at a time.

How does this end?

Badly, for TV networks.

With Netflix now going global (sorry, China) and the advent of smart TVs loaded with YouTube and other apps, it’s only a matter of time.

Unless (and here’s where I get really creative), TV networks reimagine how they curate and serve content. And use technology to offer video on demand, many episodes at a time. Putting the choice back in the hand of the user, without straining the limits of their Internet package.

Serving ads programmatically, or not at all, depending on the package you’ve bought.

This will need some serious collaboration. Between networks, DTH operators and possibly even OEMs.

But it’s one way to make sure that the TV doesn’t become just a giant projection screen for your Netflix-and-Chromecast.

 

Standard
campaigns, challenges, industry, influencer marketing, social media

Making Influencer Marketing Credible Again

Is influencer marketing as influential as it used to be?

This post is probably going to rake up some controversy, but I’m going to write it anyway.

Over the last year or so, I’ve been watching social media closely. I’ve been hearing whispers from agency folk and brand managers. And everything points to one irrefutable fact.

Influencer marketing just isn’t as credible as it used to be.

I’ll go out on a limb, one step further.

Influencer marketing just isn’t credible any more.

And here’s why.

One. Brands aren’t being discerning enough. Anyone with enough followers or readership qualifies to be an influencer. No matter how tenuous the connection between the influencer and the brand promise.

Two. Influencers aren’t being discerning enough. Most influencers today seem to be happy to work with any brand that is willing to work with them (read: pay them well). Rather than the brands they really love. The faked enthusiasm shows in every overexcited tweet, in every hard-selling blog post.

Three, following on from my previous statement. People today are becoming more and more aware that people who randomly start promoting a brand are being paid to do so.

Having been one of the earliest exponents – and practitioners – of social influence marketing in India, I can’t help but wonder – whatever happened to the influencer marketing we used to know and love?

For those who came in late, here’s how it’s supposed to work.

  1. Brand identifies potential influencers. These are usually people who are perceived experts in a particular field (related to the brand’s sphere of operation), or die-hard brand fans.
  2. Brand contacts influencer. Influencer agrees that the brand is a great fit for them.
  3. Brand and influencer work together to co-create content.
  4. It’s a win for both, the brand and the influencer. In the truest form of influencer marketing, there is no money exchanged. The brand gains credibility. The influencer gains readership/following/indirect revenue through their association with the brand and wider exposure. And/or merchandise and/or products and/or an exclusive experience.

So here are a few thoughts on how to make it better again. Very simply, going back to the basics.

Brand Managers, be picky about the influencers you work with. Frankly, there’s a limited pool. And every social media agency has pretty much the same list. Look for a few really good and relevant influencers, rather than a wide pool of irrelevant (to your category) influencers. Or work even harder, and discover someone who could become an influencer through your campaign. Your campaign will look and feel more authentic. And you’ll save a few bucks too.

Brand Managers, avoid your instinct to hard-sell. The more sell-y the content you co-create, the more people will avoid it. Don’t be lazy. Find a way to subtly weave your brand promise into your influencer’s natural content. It’s a brand-building exercise, not a sales one.

Influencers, stay true to yourselves. If music is your passion (and the reason people follow you), you have no business working on a food brand. And if you love rock music, don’t pick up a campaign related to Bollywood pop. If you’re an iPhone fan, don’t work with an Android OEM. If you’re a jeans-and-tees person, avoid the business/formal clothing brands.

Influencers, don’t do every campaign you get. I’ve seen people tweet for OLX one day and Quikr the next. The agreement you sign with a client may not be exclusive. But being loyal to the brands you actually respect or use will win you more credibility with your audience. It’ll also keep your client loyal to you. Money is always tempting. But eventually, you’ll end up diluting your brand equity. And your follower count.

Influencers, be transparent about your engagement with the brand. There’s no need to pretend that you wrote a post out of sheer love. Talk about how you’re engaging with the brand. It’s also ok to tell the world that they paid for your trip, or paid you to write the post, and leave it to your followers to judge for bias. It’ll just help you build further credibility.

As usual, I’d love to know what you think. Do leave your thoughts and opinions in the comments.

Footnote: I want to touch upon the issue of brands paying an influencer. I personally believe that paying an influencer to engage is antithetical to the concept of influencer marketing. It’s no different from hiring a celeb to endorse your brand. I do also believe that influencers work hard to create content and build a deeply engaged following, and deserve to be rewarded for the work they do. It’s a grey area; so in the end, you should just do what seems ethical to you.

Standard
content, creative, industry

Creativity In Content Marketing

I was recently invited by DMAi to speak at Global Marketing & Advertising Week (#GMAW15), on creativity in content marketing. Below is an adapted version of that speech.


A few years ago, when I was working at one of India’s most well-known content marketing agencies, life was very different.

Back then we really struggled to sell the idea of content marketing to clients. The idea of engaging audiences all-year-round with words, pictures and videos, with metrics that were tough to define, was always a struggle to sell.

We failed more often than we succeeded. But we succeeded just often enough to help bring content marketing into mainstream conversation.

We’ve come a long way since then, I think. We’re all working hard to come up with content to engage audiences in a connected world. To ensure that we look at all our communication through a content lens. To make it part and parcel of our marketing communication DNA.

We now have a few years’ experience behind us; we’re learning through trial-and-error and experiments that often fail; we’re learning from markets that are ahead of us; we’re getting better at this game.

So what do today and tomorrow hold for us?

A couple of years ago, I’d begin every brief by sitting down with my pen and scribble pad and saying, “Right. Let’s lead with with a blog post. That means I’ll need some social media posts to get people to it. Ooh, a hashtag would be nice, let’s do one of those too! #IsThisHashtagTooLong”

On my worst days, I’d even write down “run a contest” on that sheet of paper.

I could then walk away feeling pretty satisfied, pretty nice about myself. Time for a coffee break.

But today, when I’d look at that sheet of ideas the night before a presentation, I’d start sweating.

Because all of these have become hygiene. Because having a blog, or creating a hashtag, or running a contest, isn’t a content marketing idea. It’s become a format, another box you just tick.

Today, brands like yours are churning out this kind of content day in and day out. The Internet is flooded with it. As are my social media feeds. We’re already churning out content calendars and figuring out how to spark brand conversations during the Cricket World Cup.

It’s come to a point where each brand sounds absolutely no different from the next…and I can’t tell which is which just by looking at the content. Which, as you’d all know, is really not a good thing.

And so I ask myself, “In this sea of infinite content, where on any normal day of the week, 8 of the top 10 trending hashtags are brand conversations, where each headline is more click-baity than the next, what the hell is going to make my brand and my content really stand out?”

I’ve always believed that content is the ‘pull’ of marketing communications, rather than the ‘push’.

I believe that good content gets people coming back because it entertains, it inspires, it touches an emotional chord, it makes them rant and rage. Or it simply provides a utility or gives them information or education that they weren’t getting before.

Good content is also immensely shareable – because of the reasons I mentioned just now.

One huge, and often ignored, role of content is to generate positive earned media for the brand. There are huge synergies emerging between content marketing and PR, not just in terms of story dissemination but also in terms of story packaging.

I also believe that one can’t restrict content to words, pictures and videos that just wash over people sitting in front of a screen. Interactivity is key. And technology is the answer to immersing audiences deeper into a brand. Apps, games, platforms, devices – they all have a role to play in creating great content.

So, with all those filters in my head, I go back to “How do I stand out?”

The answer I’ve got to over the years is this:

Actions speak louder than words.

It’s a simple human truth, right?

We judge people – our friends, our leaders, our doctors, our wedding photographers – by that yardstick. By what they do, not what they say.

It’s the same for brands.

In a parity environment, what a brand does matters more than what it claims to do.

So, at this point in my life and career, I look at it this way:

Advertising is what you say.
Content is what you do.

Now, what do you mean by ‘do’?

I could, as a content marketer, ‘do’ a video. I could ‘do’ a blog post. I could ‘do’ an influencer engagement or ‘do’ a tweetup.

But that’s not what I mean. That’s just playing with words, right?

To me, ‘doing’ means refocusing on your core brand promise, and then living up to it in front of your audience. In whatever manner works best.

It means proving, every day, that you’re true to your words and promise. That you mean what you say.

It means focusing less on changing perceptions by making a claim; and more on changing perceptions by fulfilling or exceeding expectations.

It means being less of an interruption in people’s lives; it means positively impacting people’s lives through your products, services and brand.

One way brands can stand out in a cluttered, parity environment is to create content that proves – honestly, credibly and creatively – what they stand for. And thus start owning that space.

Across any screen you can think of.

Let me show you a piece of work from one of my favourite content marketing campaigns. Chrome Experiments were begun to push the limits of Web technology, to push the limits of Google’s Chrome Browser. And, to noticeably demonstrate how good the Chrome browser is.

The Chrome team didn’t just talk about being faster, or having more features, or being more developer-friendly. They just kept creating pieces of content that proved it. Over and over and over again. And today, many Chrome Experiments are being created every day by developers all over the world, who are not Googlers. Just people pushing the limits of what the technology can do.

One of my favourite content marketing brands in the world is Red Bull. Everyone knows that they stand for giving wings to athletes. But they don’t just support these athletes morally, or emotionally or financially. They create platforms for them to shine. They identify athletes, work with them and then co-create content that makes those athletes world-famous.

It’s easy for a food industry brand to stick to the conventional food industry metaphors. Blendtec has always been different. They have a core brand promise; they stick to it; and then they deliver on it in the most amazing, culturally-contextual ways possible.

India’s favourite beer is known for their baseline – The King of Good Times. Kingfisher have embraced technology to create content and experiences that offer a memorable good time to their fans.

It isn’t just B2C marketing that can benefit from this kind of an approach. Every year, around Christmas, the Publicis Groupe create a Christmas card that they put up online. Last year’s card was an interactive experiment designed to entertain – and also to subtly prove Publicis’ strengths in creative digital marketing.

I’ll end with a story that’s very close to my heart. Everybody’s talking about the great Indian e-commerce boom. Billion-dollar valuations, transactions-per-day, the payment ecosystem and an ever-increasing user base. Nobody – I repeat, nobody – was talking about the wheels that make this economy turn. Last year, during GOSF, we decided that we should do something special for people nobody cared about. To get them into the conversation and recognise their efforts. Because we believe that the web exists to improve the lives of all people.

So, the next time you brief your agency on a content marketing campaign, don’t ask them what you can say.

Ask them what you can do.

Standard